The flexibility and ease of shooting allows “Run and Gun Shooting,” as it was called by Ed Marsh. The newest 3D technology doesn’t limit the writers’ or filmmakers’ ability to conjure up new ideas or scenes on a whim any longer. ” Everything within reach of the actors had to be tangible but everything out of the range of the actors, in most of the movie, was generated by computers. Every texture has to be believable,” explained Huggins. Journey to the Center of the Earth is being flaunted as the first 3D live-action movie. Fraser touted the new technology as “the pointy end of the spear.”

The visual teams and the director, Eric Brevig, could instantly look at what was just shot by the cameras and make horizontal and vertical changes to prevent eye strain and nausea as well as create 3D effects to trick the mind. The consensus of the panel was that the new 3D technology is substantially more satisfying to watch because it does not use a mix of digital and analog media as previous classes of 3D. Journey to the Center of the Earth was shot completely digitally, giving the filmmakers more control over any visual convergence (the way our eyes focus on objects at different distances) problems by getting instant feedback to ensure the proper positioning of cameras. “No film was hurt in the making of this movie,” Fraser informed the audience during a question and answer session after the showing. The audience was offered the trailer for Journey to the Center of the Earth followed by five scenes from the film to judge the quality of the visuals. Present for the unveiling was Journey‘s star Brendan Fraser, producer Charlotte Clay Huggins, and visual effects editor Ed Marsh. At the Metreon Theater in San Francisco on February 22nd, the world premiere public viewing of new 3D technology featured in the upcoming Journey to the Center of the Earth dazzled its watchers.

Journey center of the earth 3d